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October 31, 2006

Ad eundum quo nemo ante iit

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Giving in to the temptation to offer up one's precious vitae to even the most fetching vampire is a bad idea in terms of geometric progression. Or so a scientist says (via Andrew Coyne).

On Jan 1, 1600, the human population was 536,870,911. If the first vampire came into existence that day and bit one person a month, there would have been two vampires by Feb. 1, 1600. A month later there would have been four, and so on. In just two-and-a-half years the original human population would all have become vampires with nobody left to feed on.

And if vampires reproduced several times per night - instead of once per month (?) - in a fortnight or two there would be more vampires than there are atoms in the known universe. This is, of course, so much Malthusian nonsense propagated by the global vamping lobby. Claim me, my dark queen!

In related news: An innocent search for knowledge strays into saucy gothic burlesque photography. It is not as if my browser gravitates toward this sort of material.

Propeller Beanie Upon Him Update: The Hallowe'en costume of the year.

Posted by the Flea at 06:47 AM | Comments (5)

Mary Margaret O'Hara: Bodies in Trouble

Now is the time at the Flea when we dance.*

*I recently had the subject of breaking hearts raised for my consideration. This is what breaks my heart.

Posted by the Flea at 06:44 AM | Comments (4)

October 30, 2006

The Parable of the Doorkeeper

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Not the parable from Mark 13:32-37; that one makes sense. No, I am referring to Kafka's enigmatic little parable from "The Trial"; this one has me stumped. The subject arises from a viewing of an almost equally enigmatic short-film by way of YouTube, "The Door of the Law". If Flea-readers with a better undergraduate literary education than I had might enlighten me it would be much appreciated. All I have to offer is that the man from the country might have done well to seek the fleas' counsel sooner.

"... before the Law stands a doorkeeper. To this doorkeeper comes a man from the country who begs for admittance to the Law. But the doorkeeper says he cannot admit the man at the moment. The man, on reflection,asks if he will be allowed, then, to enter later.'It is possible,' answers the doorkeeper, 'but not at this moment.' Since the door leading into the Law stands open as usual and the doorkeeper steps to one side, the man bends down to peer through the entrance. When the doorkeeper sees that, he laughs and says: 'If you are so strongly tempted, try to get in without my permission. But note that I am powerful. And I am only the lowest doorkeeper. From hall to hall, keepers stand at every door, one more powerful than the other. And the sight of the third man is already more than even I can stand.' These are difficulties which the man from the country has not expected to meet, the Law, he thinks, should be accessible to every man at all times, but when he looks more closely at the doorkeeper in his furred robe, with his huge pointed nose and long thin Tartar beard, he decides that he had better wait until he gets permission to enter. The doorkeeper gives him a stool and lets him sit down at the side of the door. There he sits waiting for days and years. He makes many attempts to be allowed in and wearies the doorkeeper with his importunity. The doorkeeper often engages him in brief conversation, asking him about his home and about other matters, but the questions are put quite impersonally, as great men put questions, and always conclude with the statement that the man cannot be allowed to enter yet. The man, who has equipped himself with many things for his journey, parts with all he has, however valuable, in the hope of bribing the doorkeeper. The doorkeeper accepts it all, saying, however, as he takes each gift: 'I take this only to keep you from feeling that you have left something undone.' During all these long years the man watches the doorkeeper incessantly. He forgets about the other doorkeepers, and this one seems to him the only barrier between himself and the Law. In the first years he curses his evil fate aloud; later, as he grows old, he only mutters to himself. He grows childish, and since in his prolonged study of the doorkeeper he has learned to know even the fleas in his fur collar, he begs the very fleas to help him and to persuade the doorkeeper to change his mind. Finally his eyes grow dim and he does not know whether the world is really darkening around him or whether his eyes are only deceiving him. But in the darkness he can now perceive a radiance that streams inextinguishably from the door of the Law. Now his life is drawing to a close. Before he dies, all that he has experienced during the whole time of his sojourn condenses in his mind into one question, which he has never put to the doorkeeper. He beckons the doorkeeper, since he can no longer raise his stiffening body. The doorkeeper has to bend far down to hear him, for the difference in size between them has increased very much to the man's disadvantage. 'What do you want to know now?' asks the doorkeeper, 'you are insatiable.' 'Everyone strives to attain the Law,' answers the man, 'how does it come about, then, that in all these years no one has come seeking admittance but me?' The doorkeeper perceives that the man is nearing his end and his hearing is failing, so he bellows in his ear: 'No one but you could gain admittance through this door, since this door was intended for you. I am now going to shut it.'"
Posted by the Flea at 06:34 AM | Comments (2)

Underworld: Jumbo

Now is the time at the Flea when we dance.

Posted by the Flea at 06:33 AM

Goth or not goth

As part of the Flea's ongoing reader service satisfaction initiative I am proud to present a first foray into the world of goth and not goth; an occasional series. First up is a "Sexy" "Lesbian" "Goth" "Dance".* I put the question: Goth or not goth? Please note there is a correct answer.

Cubicle-bound readers should note this one is probably not safe for work unless you are employed in the sexy dance party sector.

*This one goes with a shout-out to Antonia!

Posted by the Flea at 06:31 AM | Comments (6)

October 27, 2006

Gedo Senki

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The studio responsible for My Neighbour Totoro and Spirited Away offers more myth in the form of Tales from Earthsea, an adaptation of Ursula Le Guin's famous franchise. The trailers look promising. I loved this world as a kid but I still draw the line at getting sucked into My Neighbour Totoro.

The tale takes place in Earthsea, an archipelago of innumerable islands. After two dragons appear, this world starts to experience strange phenomena, such as raging seas and withering plants. Ged, a wise wizard, sets out on a journey to find the cause of these problems and meets Arren, a young prince who has rejected his homeland by killing his father, the king, and running away. The story traces the development of Arren as he travels with Ged against a constant backdrop of life and death. This epic film marks the directorial debut of Miyazaki Goro, who is the son of acclaimed director Miyazaki Hayao and used to work as the director of the Ghibli Museum.

Hence the Japanese title; more martial than its English equivalent. Note to self: Must get round to watching the Earthsea adaptation that triggered a bun-fight between Le Guin and Sci Fi Channel a while back.

The literal translation of the Japanese is "GED military history" or "A military history of GED". A more sensible translation is "Ged's war chronicle" or "Ged's history of the war". The official English title is "Tales from Earthsea".
Posted by the Flea at 10:27 AM | Comments (1)

Beccy Cole: Poster Girl

This video is everywhere across my favourite bits of the blogosphere. Canadian version, please. Now is the time at the Flea when we dance (via Mcgyver).

Posted by the Flea at 10:24 AM

October 26, 2006

Abney Park: Stigmata Martyr

Now is the time at the Flea when we dance.

Posted by the Flea at 09:47 AM

October 25, 2006

A fairy tale for grown-ups

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Pan's Labyrinth looks wonderful. Del Toro Films has more teaser pictures from the film and a variety of sweet poster action. The Mike Mignola variant looks seriously collectible.

In this fairy tale from horror maestro Guillermo del Toro, a small family in Spain moves into an old house in 1943 after the rise of Fascism. Their eldest daughter, at age 12, falls in love with a fawn that lives in the old ruined labyrinth which resides behind their new decrepit home.

No word on whether the film addresses the complex issue of Catholic martyrs battling Stalinist/atheist fawns. Also with the kicking of the ass: This Ultimate Dr. Strange first-look trailer.

Posted by the Flea at 09:57 AM | Comments (2)

Cocteau Twins: Carolyn's Fingers

Now is the time at the Flea when we dance.

Posted by the Flea at 09:54 AM | Comments (1)

I pity the fool

Posted by the Flea at 09:51 AM | Comments (13)

October 24, 2006

Blondie/The Doors: Rapture Riders

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Now is the time at the Flea when we dance to what is easily the best mash-up ever. Also worth a look is Debbie Harry with a different backing band.

Posted by the Flea at 10:07 AM

First comes Saturday then comes Sunday

There was a time not long ago when Lebanon was an Arab Christian country, a fact that went entirely unremarked in reportage about last year's uptick in a decades long conflict. Of all the voices silenced by terror and our media's collusion with terror none was more so than those of Lebanese Christians. It has become a commonplace on the left to refer to Israel as an "apartheid state". Such is the big lie; a shocking lie in contrast with the explicit religious and racial apartheid of Israel's neighbours. What our media either cannot fathom - or cannot muster passing concern for - is that the Jews are, as ever, the canaries in the coal-mine. The fate of Israel is the fate of liberalism, pluralism and democracy.

Please watch Brigitte Gabriel's lecture to the Heritage Foundation. An hour may seem like a lot of time to invest but it is an eye opener (via No Submission).

I hope it is not only a simple-minded prurience on my part which compels me to point out Brigitte Gabriel is so hot she is made of fireworks and candied ginger or something. Just saying. If even that incentive is insufficient to such a large RealMedia file I should also point to this FrontPage interview. It covers much the same territory.

Even though I was raised in a Christian country, it was still an Arabic country trying to please its neighbors, the Arab Muslims. Even the Christian private school I went to was effected. When we studied the Bible, we only studied the New Testament. I never saw the Old Testament or heard anything about it, because it was considered the enemy's bible. All I heard was Israel is Satan, Israel the devil, Israelis are demons, and they are the source of the problem in the Middle East. The Jews are evil, they are unstoppable and they want to control the world. I heard nothing but hatred toward the Jews.
...
My town was 2 and half miles from the Israeli boarder. We in our Christian town were faced with the combined Muslim and Palestinian forces waiting to slaughter us. We knew our fate, knowing what they have done to other Christian towns and cities in the rest of Lebanon. To our back was Israel. The enemy, Satan, the demon possessed Jews. We had no where to turn but one way, to the devil Israel. After all we knew the Jews wouldn’t slaughter us because we had more shared values with them than we had with the Moslems. Under the cover of darkness, few men from our town went to the border, flagged down an Israeli boarder patrol, explained the situation and begged for help.

Israel agreed to help the Christians. Israel became our lifeline. The Israeli military would come during the night and bring food and ammunition to the military and milk for the children. They would take the Christian men anyone from age 13 to 70 and train them to fight; most of them have never held a rifle before. Most of the Christian men had degrees that decorated their walls, but all the degrees in the world can not defend you when an enemy is facing you with a gun, wanting to kill you by what your enemy believes is an order from God.
Posted by the Flea at 10:04 AM | Comments (5)

October 23, 2006

Hello My Teacher

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Wow.

For want of a better comparison I am going to call this a Korean Buffy the Vampire Slayer; at least if the first episode is anything to go by. That was the best use of a fighting umbrella this side of The Avengers. A quick google of the show suggests "Biscuit Teacher and Star Candy" is better known as "Hello Teacher". Have a look before Korean media follows Japan's lead and the show disappears from YouTube.

Na Bori (Gong Hyo Jin) is a 25 year old woman who desperately wants to be a teacher at a high school she was kicked out of after a misunderstanding with her teachers about injuring a group of male classmates and was kicked out. After getting her GED, she rejects other job offers from other high schools and works on becoming a teacher at her old high school to work with her high school love interest, the art teacher Ji Hyun Woo (Kim Da Hyun). However, the only thing that enables her to get the coveted job is by signing a contract to essentially babysit Park Tae In (Gong Yoo), a troublemaker who attends the same high school. TaeIn, a lonely youth, quickly becomes the "jjang", or "king" of the high school, and enjoys playing mean tricks on Bori. Noh Jemma (Choi Yeo Jin) is jealous of the relationship with Bori and TaeIn, and goes out of her way to get Bori kicked out...
Posted by the Flea at 09:37 AM | Comments (1)

Massive Attack: Angel

Now is the time at the Flea when we dance.

Posted by the Flea at 09:33 AM | Comments (1)

Not your father's white man's burden

Think of it as field research in economic development.

In new research, James Feyrer and Bruce Sacerdote, both of Dartmouth College, consider the effect of a particular aspect of history—the length of European colonization—on the current standard of living of a group of 80 tiny, isolated islands that have not previously been used in cross-country comparisons. Their question: Are the islands that experienced European colonization for a longer period of time richer today?

And, of course, the inevitable follow-on question: Which country one would want to be colonized by if the outcome you were after was wealth and prosperity? The answer is obvious if you think about it for a moment.

Posted by the Flea at 09:31 AM | Comments (3)

October 20, 2006

Christian Bale as the Flea

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Every great blog post consists of three acts. The first act is called "The Pledge"; the blogger shows you something ordinary, but of course... it probably isn't. The second act is called "The Turn"; the blogger makes his ordinary something do something extraordinary. Now if you're looking for the secret... you won't find it, that's why there's a third act called, "The Prestige"; this is the part with the twists and turns, where lives hang in the balance, and you see something shocking you've never seen before.

In the face of David Bowie we can read our own mortality Update: On a related note, Hugh Jackman is returning as Wolverine in an X-Men prequel spectacular. Also, the Beckhams are soon to be bloggers.

The Classical version was missing a mariachi band Update: Raj Bhakta kicks ass. The Hannibal reference is a thing of beauty. Also, note to self: Wear bow-tie to church bazaar tomorrow.

Posted by the Flea at 08:57 AM | Comments (10)

Indochine feat. Melissa Auf Der Maur: Le Grand Secret

Now is the time at the Flea when we dance.

Posted by the Flea at 08:51 AM

I have seen the future of search engines

And her name is Ms. Dewey. I think I enjoyed this a little too much if you know what I am saying.

Each according to his need Update: Drink-soaked Trotskyite commentary identifies Ms. Dewey's non- science-heroine identity, Janina Gavankar. Va va voom!

Posted by the Flea at 08:47 AM | Comments (3)

October 19, 2006

Ani Lorak: Rozkazhy

Now is the time at the Flea when we dance.

Posted by the Flea at 09:14 AM

Nothing leads so straight to futility as literary ambitions without systematic knowledge

The LSE's Oliver Curry expects human evolution to bifurcate into Morlocks and Elois. If his observations are based as I suspect on British school-leavers the conclusion seems inescapable.

Evolutionary theorist Oliver Curry of the London School of Economics expects a genetic upper class and a dim-witted underclass to emerge. The human race would peak in the year 3000, he said - before a decline due to dependence on technology.People would become choosier about their sexual partners, causing humanity to divide into sub-species, he added. The descendants of the genetic upper class would be tall, slim, healthy, attractive, intelligent, and creative and a far cry from the "underclass" humans who would have evolved into dim-witted, ugly, squat goblin-like creatures.
Posted by the Flea at 09:08 AM

October 18, 2006

A hooker and a porn star

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Sarah Michelle Gellar reportedly believes she was a natural for her rôle in Southland Tales as she looks like a cross between "a hooker and a porn star." I don't see it myself. More likely one of those delusional Belle de Jour episodes I have noticed tend to follow the acquisition of an MA in sociology or women's studies. Perhaps Ms. Gellar might consider grad school to get into the spirit of things.

Gellar attracted a legion of male fans playing Buffy, and sent pulses racing with her tight costumes. However, the actress refused to bare her breasts in 'Southland Tales', despite her illicit role.

She revealed: "My trainer said to me, 'So we've got to start getting you in shape for this topless scene.' And I was like, 'I'm sorry, what?' And he said he had read somewhere that I had said I really wanted to take my top off in a movie. But I immediately said to him, 'To know me is to know that's not true.'"
Posted by the Flea at 07:24 AM | Comments (3)

Mylene Farmer: L'Amour n'est rien

Now is the time at the Flea when we dance. Arguably not safe for work unless you work in the folded down corner section of the Sears Catalogue layout sector.

On an unrelated note Update: The polar image of Mars looks familiar. By night I expect you could see the lights of Carthag.

Posted by the Flea at 07:21 AM | Comments (2)

October 17, 2006

The Witchmen

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I was going to say something snarky along the lines of "Don't like the internet? Blogs? Heck, don't like television? Let's go back to having fun good old days- style then, shall we?" and then point to a video of Morris Dancing. But then I remembered Morris Dancing kicks ass. Especially, say, Morris Dancing with a gothic sensibility. And a litle Terry Pratchett thrown in for good measure.

WICKERMAN ©

The music starts
Dance, we do a few pre-determined moves
Chorus, we clash sticks like we practised
Dance, we do some more moves
The music ends

Some traditional activities could certainly do with a revival. I think it is high time for an Annex Cornish Hurling League, for example (hat tip to a kind reader). The St. Columb ball is basically a Silver Snitch; sure to catch on with the Harry Potter generation.

Reason not to hand over the internet to an international bureaucracy Number, like, A Billion or something Update: The EU braintrust wants to regulate amateur internet video under European broadcast regulations. I am only surprised the Canadian version of stupid did not think of it first.

Reason A Billion and one Update: Iran is banning fast internet access.

Posted by the Flea at 09:17 AM | Comments (2)

Les Rita Mitsouko: Le Petit Train

Now is the time at the Flea when we dance.

Posted by the Flea at 09:15 AM

The Margate Wickerman

What's this? We'll have no trouble here. This is a local wickerman made from local rubbish. (Zut! Channel 4 has removed the video... time for a quick link change...) The BBC reports sighting a Waste Man in Royston Vasey Margate:

Thousands of people have looked on while an 82ft-high (25m) sculpture of a man built out of rubbish was burned to the ground. The Waste Man, designed by Angel of the North creator Antony Gormley, was the climax to a day of live public performances in Margate, Kent. Teams of volunteers spent two months collecting waste materials and packing them into the sculpture's framework.

Unregulated video imagery here.

Posted by the Flea at 09:14 AM

October 16, 2006

The Statesmen Quartet: I Wanna Know

Now is the time at the Flea when we dance.*

*Dr. Gene Scott is a role-model to me from beyond the grave. His sexy dance party with Playboy Playmates is something every ranter might aspire to... time for Fleamates? And his remarks on unsolicited advice should warm the hearts of any blogger with some traffic. All of the above is safe for work, just so you know.

Posted by the Flea at 07:24 AM | Comments (3)

Not so much blind as putting her hands over her eyes

Theodore Dalrymple does what he does best with this astonishingly bleak assessment of the British criminal justice system, "Real Crime, Fake Justice". Time to wake up, people.

For the last 40 years, government policy in Britain, de facto if not always de jure, has been to render the British population virtually defenseless against criminals and criminality. Almost alone of British government policies, this one has been supremely effective: no Briton nowadays goes many hours without wondering how to avoid being victimized by a criminal intent on theft, burglary, or violence.
Posted by the Flea at 07:21 AM | Comments (1)

October 13, 2006

Grindhouse

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October 13 means Crowleymass has come and gone for another year: After the unwrapping of the presents, the repentance. I read somewhere on "the internet" the other day that Rose McGowan is looking "too skinny". More lookism, surely. She seems in fighting form in this Spike movie awards appearance of the trailer for Quentin Tarantino's "Grindhouse". Lacking stills from said trailer, I have followed Agent Bedhead's lead and improvised with this post's illustrative photogravure. I do not anticipate any strong objections.

Beware of Greeks Australians bearing gifts: My favourite bit of this Friday history lesson is how some bilingual dolt in the comments section assumes we are watching Americans. And the bit with the Turkish Consulate, naturally (via Quotulatiousness).

Sizism Update: Hollywood Tuna was the source of the "scary skinny" story. They may have a point.

Posted by the Flea at 09:21 AM | Comments (3)

Sarah Brightman: I Lost My Heart (To A Starship Trooper)

Now is the time at the Flea when we dance.

Posted by the Flea at 09:18 AM | Comments (2)

The post you are about to read may startle you

When United States Marines or the Israel Defense Forces deploy white phosphorous it is invariably described as a chemical weapon and a war crime. Canadian deployment of white phosphorous, by contrast, is meant to be hilarious. In related news: Anticipated autumn operations may be hindered by a critical Cheetos shortage.

Canadian troops fighting Taliban militants in Afghanistan have stumbled across an unexpected and potent enemy -- almost impenetrable forests of 10-feet (three metre) high marijuana plants. General Rick Hillier, chief of the Canadian defence staff, said on Thursday that Taliban fighters were using the forests as cover. In response, the crew of at least one armored car had camouflaged their vehicle with marijuana.

"The challenge is that marijuana plants absorb energy, heat very readily. It's very difficult to penetrate with thermal devices ... and as a result you really have to be careful that the Taliban don't dodge in and out of those marijuana forests," he said in a speech in Ottawa. "We tried burning them with white phosphorous -- it didn't work. We tried burning them with diesel -- it didn't work. The plants are so full of water right now ... that we simply couldn't burn them," he said.

Even successful incineration had its drawbacks.

I won't spoil the punchline.

Posted by the Flea at 09:17 AM

October 12, 2006

Climb Mount Suribachi

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My favourite part of this 50mb DD(X) corporate promo video is the bald eagle in the DD(X) badge. Stern, even slightly pissed off, he is an eagle not to be trifled with. There are some who wonder if multi-billion dollar big-ship, big-gun defense acquisitions are a sensible investment in an era of asymmetric warfare. These same folks rarely pause to wonder just why our enemies have had to resort to asymmetric warfare in the first place. By all means, let us continue to limit their options. After all, you do not cancel your fire insurance because your basement has flooded. That said, the second comment to this Defense Tech post makes an excellent case for recommissioning all four United States Iowa-class battleships.

The Navy Admirals/Defense Contractors strike again. Betting on the DDX Destroyers with their paper thin plating, 5 inch guns, slow speeed. I believe the cost of one round is $1,000,000 each. Their stealth capabilities are useless now since China, Austraila, France, etc. have bought the next generation of radar. These ships cannot be reloaded from the sea they have to go back to a base to be reloaded. In addition, the first ship will not be ready until 2010.

The Battleships not just two of them but all four of them need to be recommissioned. Yes, these ships are 60 years old but what about the B-52 Bombers. Aren't they over 50 years old? They are still in service and keep on getting upgraded. Why not the Battleships? The Battleships were designed to go toe to toe with the Japanese 18" guns and survive. During WWII, the Battleship USS Carolina (smaller battleship than the Iowa Class) took a torpedo hit from a Japanese sub. The Carolina was not damaged and continued the fight. This torpedo was load with 2,000 pounds of TNT, almost the same amount used on the USS Cole. The Cole almost sunk. Currently, there is nothing out their as far as the anti ship missles that would put a scratch in the Iowa Class Battleships. In 1968, the military already had tested rounds fired from the 16" guns that had a range of 100 miles. These ships are fast. They can do up to 35 knots. They can refuel other ships. They have the facilities to serve as a hospital. They have served as an additional air traffic controllers. These ships can hold a ton of supplies. They could sustain shore bombardment for a week/s where the DDX (approximately 20 DDXs would be needed to equal the firepower of one Battleship) and in two to three days would have to leave to get resupplied. The history of the ships prove how valuable they have been in the US war efforts.

Which brings me to my suggestion for bringing down the cost of those Queen Elizabeth-class future aircraft carriers on their way to the Royal Navy. Let Canada follow the French lead and buy one for ourselves. I expect the Australians could use one too.

Yum yum yum Update: Here's a tip: Aim for the nerve-stem and put it down for good.

Posted by the Flea at 09:07 AM | Comments (16)

Current 93: Crowleymass

Now is the time at the Flea when we dance.

Posted by the Flea at 09:03 AM

October 11, 2006

Spoons: Nova Heart

Now is the time at the Flea when we dance.*

*Flea-dance sighted at 2:58!

Posted by the Flea at 06:51 AM

October 10, 2006

Then we will fight in the shade

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Frank Miller's 300 could not be more timely. The graphic novel was astonishing and if anything the film appears to be even more so.

"There's a scene where the Persian ambassador asks for a token gift of land and water, and a Spartan leads him to a well, and shoves him in, to his death. Like so much that is in this book, that actually came from reality," Miller attests, laughing. "I mean, I moved it around. I take all the liberties any fiction maker does, but the Spartans actually did treat tyrants that way."

Solace in Cinema offers some frame by frame comparison of the trailer to the graphic novel. Brilliant. YouTube was swatting these trailers as they appeared so bear with me if that first link gets broken (the link is now changed to the movie site...). Apple has authorized HD versions on-line but they are not playing for me. You may have better luck.

Posted by the Flea at 06:44 AM | Comments (4)

The Ahmadinejad Code

The Ahmadinejad Code represents a surprise entry into the Iranian government-sponsored Holocaust denial/celebration cartoon contest (via Solomonia). God bless Cox & Forkum.

The winners have yet to be announced, but the 200-plus finalists in Iran's "Holocaust International Cartoon Contest" were recently exhibited in Tehran and posted online. And though not among the finalists, the above image was part of a cartoon accepted into the contest, one of over a thousand entries accepted. The cartoonist's name, Hugh Bradley, can be seen on the contest's list of participants under USA. Obviously a cartoon featuring Adolf Hitler could be appropriate for such a contest, but there's more to the image than meets the eye. It also contains a hidden message critical of the Iranian regime.

We know this because "Hugh Bradley" is really Cox & Forkum.

It is shame "Hugh Bradley" did not rate among the finalists; a Cox & Forkum victory would have been sweet. I notice several supposedly American entries did make the final 200-odd, including this non-cartoon which combines multiple Jew-hating tropes in one neat package. "Kurt Vennekohl" must have missed the memo about how anti-Zionism and anti-semitism are not the same thing. And I notice a quick Google search suggests that, like at least one of his fellow entrants, Vennekohl appears to have no existence outside this Holocaust denial contest.

Finally, a quick wade through the cesspool of entries suggests Canada's sole entrant did not make the all but final cut. I expect Marc Pageau is breathing a sigh of relief at have avoided further embarrassment to himself and shame to the rest of us. He still owes his countrymen an apology for participating in this filthy exercise.

Posted by the Flea at 06:41 AM | Comments (1)

October 09, 2006

Hyper-jumping the shark

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Spoiler warning: The following is based on a viewing of Battlestar Galactica Season 3 episodes 1 and 2. I believe what transpires is clearly implied by events in the final episode of Season 2, however, those inclined to watch the series without the freight of my opinion should not read this post until these episodes are available to them.

The central problem with "the postmodern turn" is not, as is widely supposed, its coincidence with the ascendency of relativism in addressing, and failing to address, cultural and political difference. Contemporary doctrines of relativism predate postmodernism by decades - I am thinking particularly of the ways in which the work of Franz Boas has come to be read1 - and are in any event more closely allied to the logical fallacy of equivalence than a thoroughgoing political or philosophical position. Indeed equivalence, prevarication and sophistry, to paraphrase the Rabbi, have always been with us.

No, the main problem with the postmodern turn is the mistaken notion that in abstracting aesthetic elements from classical or modern schools of art and design, throwing them into a blender and repackaging the mush some sort of aesthetic achievement is the result. I admit The Simpsons was fun for a few years and for at least some of those years had become a litmus test for distinguishing an educated opinion. There is a satisfaction in recognizing a reference to Cape Fear or The Pirates of Penzance, particularly in an age of shocking ignorance of Western culture and civilisation. One might even be lead to hope an urge to be in on the joke might spur some autodidactism where systems of public education have so miserably failed. But a back-handed pedagogy is no substitute for art. The Simpsons is - or at least was - cute and on occasion amusing but rarely more than that.

In Matt Groening's defense I doubt the project was ever meant to be more than an entertaining diversion. It is a sad state of affairs when a desire to follow the plot of a children's cartoon should be the spur for an improving education let alone that this minimal hurdle should prove a step too far for most. South Park recently took at swing at Family Guy for taking postmodern narrative contruction one setting higher on the blender. In Family Guy, "in" references and de-contextualized vignettes are not an embellishment on but a substitute for a plot, this latter having been dispensed with almost entirely. I enjoy the show enormously and, as lineages go, its narrative structure finds honourable antecedents in the modernist stalwarts of surrealism and absurdism. But what works for comedy may be troubling for drama and particularly drama with pretensions to political commentary.

The word "insurgent" has taken on new meaning these last several years. Its association with a particular conflict is not limited to the ersatz Minutemen with their charming indigenous folk practices of head-hunting and child-rape. If the term "insurgent" is attached to some clans of the Uruk Hai it is more importantly associated with the Copperhead newsmen who coined the term; their own insurgency directed toward two war goals: The need to prevent at all costs the disambiguation of evil and the defeat of their Great Satan, George W. Bush. Meanwhile, in a history that has not happened, twelve planetary populations have been reduced to a few tens of thousands, forced medical experiments are carried out en masse in a North Korean-style cybernetic breeding program and those remnants of uncaged humanity are hunted as if for sport. Yet even given recent events in what remains of the Twelve Colonies, and for all they know the last of the human species, I expect Battlestar Galactica to find references not only to "insurgents" but to "activists" and "militants" in its lexicon in short order. If the show's continuity could take the blow I would not be surprised to see a Che Guevara T-shirt for Caprica 6. Galactica's writers are correct to believe using the term "insurgent" will have an emotional resonance for its audience as will its gestures toward "occupation" and "detention" and "torture". I expect many will believe these gestures alone - the mere appearance of a politicized vocabulary - are sufficient to make the show edgy and interesting, intellectual and relevant. Nothing could be further from the truth. For all the thinly veiled references to our current troubles the show has no message behind its metaphors. It is not that Galactica takes a position on the Long War and takes the wrong side. Galactica's refusal to state its case clearly means it is not even wrong.2 The story dances around the war, evoking its language and imagery, but does not take a coherent stand on matters of duty or survival or hint at how some moral imperative might guide our actions in the world. We are instead meant to believe the show merely "raises questions", the first and last refuge of today's cowards. Some might take this ambivalence as a virtue. I think it is a strange and anemic storytelling to which our culture has been reduced when even mass murder, state-organized rape and threats directly from the seventh-century fail to elicit the simple assertion that our way of life is to be preferred, let alone defended. Talk about the war. Don't talk about the war. But don't not talk about the war and expect to be congratulated for it. Though, sad to say, I expect they will be.

I would rather choke back another helping of Star Trek:The Next Generation's righteous finger-wagging and self-flagellation than endure Galactica's fence-sitting. At least the received liberal opinion of Paramount in the 1980s had the courage of its admittedly limited convictions. Star Trek was faithful to its sick inversion of Scripture's wisdom: By all means blame the mote in the Federation's eye while studiously overlooking the log in the eye of empire be it Klingon, Romulan or Cardassian. All with the smug assurance that "they" are really like "us" in the end no matter how their leaders treat "their people" let alone how their people treat "their women". After all, the Federation's white-bread suburban future lacks the thrilling sexually charged blacksploitation potential or heavy-metal authenticity of a Klingon warrior. If you are only driving your Galaxy-class starship through the neighbourhood to buy drugs or walk on the wild side it can be a tame little adventure besides. And all the while the Federation's post-capitalist utopia rolls across the high sierra of the galaxy; a sanctimonious sludge assimiliating everything in its wake more surely than the Borg...

Perhaps Ron Moore will have the courtesy to let us know if "we" Westerners are the Cylons or what. Better yet, if those real, living human beings enlisting with the elected government of Iraq mere place-holders for the collaborators of New Caprica. For all the former are flesh and blood the latter are all too obviously more real to the post-moral left; typically concerned for brown people in principle but curiously unconcerned for them in the matters of basic rights to the franchise, freedom of expression or security of the person. In this, if in so little else, the advocates of postmodern thought have hit the mark: Where the referential chain between signifier and signified breaks down we are lost in the Matrix. Shoot up as many security guards or bystanders as you like. Their false consciousness leaves them sleeping, not truly alive, and their continued sleep renders them batteries for the ultimate class-enemy. Killing them, the argument runs, is only doing them a favour and is in their greater class-interest no matter their individual suffering and death. More important than that we are supposed to have transcended the simplisme of right and wrong let alone of good and evil. If Che has taught us anything it is that sunglasses and slaughter look cool.

Perhaps Baudrillard and his ilk are right and there has been a break in those chains of signification that rendered our actions meaningful. The answer, however, is not to parrot a kindergarten finger-painting ethos of race, gender and class but to decide like adults what values we will choose to defend. It may be good marketing to hint that we are the Cylons or, in an Orientalist Saidism3, that the Cylons are yet another demonized Other. It may be our civilization will prevail despite the enervating effects of marketing as a place-holder for the beliefs that once defined us. It may even be that it is Mammon who will prevail over the death-cultists in the end; all the claims to love death may only serve to chlorinate the gene-pool leaving holiday swimmers in their wake. Even so, Galactica's "naturalistic science fiction" finds its closest resemblence to the world as yet another postmodern confection too cool to take a stand let alone take a side and too concerned about the bottom line to risk its aliens alienating its audience.4

This is not just fannish debate and these are not just abstract problems. Talk of insurgency and occupation as if the words themselves are sufficient argument is not an analysis. Indicting the West of crimes we have not committed is no substitute for grappling with an enemy that would kill or convert us all. It may be we must once again learn the lesson of appeasement; re-pay the the price of dismissing "a quarrel in a far-away country between people of whom we know nothing." If that price proves too high to pay this time then God help us all. We would have to bear the burden of a real insurgency - a Jacksonian insurgency - and find ourselves passing on precious copies of Heinlein to our children; reminding them of what it meant to be free. In that future there will be no postmodernism, no marketing and no equivocation, no elections or representative government in Iraq or anywhere else: Only the Ministry for the Promotion of Virtue and the Prevention of Vice. And may God forgive the real collaborators who convert to the Temple of Elemental Evil with the words "There is no God but the Cylon God". By all means worship your demon-god of nothingness in whatever broken hell it resides. We will spend our last breath if that is the price we must pay to send you to it.

1 Or rather, referenced. Very few anthropology students are asked to read Boas let alone bother to do so on their own account. Boas' work itself is a reflection of his genius and heaven forbid some of it rub off on somebody.
2 With apologies to Wolfgang Pauli.
3 That is to say, a position advanced by Saidists.
4 I understand there are no aliens in Galactica per se. So sue me.

Rag-tag fugitive Update Writing for Protein Wisdom, cranky-d has related thoughts on the subject and asks an important question: Can we enjoy the show anyway? I agree we can.

Short version: Battlestar Galactica, still okay to watch. Iraq war: righteous cause, fully support. Late-night drinking: advised for the unemployed or semi-employed, but only on a sporadic basis.

Ultimately: don’t take too many things too seriously, that tends to suck the enjoyment right out of life.
Posted by the Flea at 10:14 AM | Comments (2)

The Righteous Brothers: You've Lost That Lovin' Feelin'

Now is the time at the Flea when we dance.

Posted by the Flea at 10:11 AM

October 06, 2006

Myriam Fares: la Tes'Alny

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Be careful with the scissors... now is the time at the Flea when we dance. Also, to run in terror from armed pumpkins. It's best not to ask.

Invade their countries, kill their leaders and convert them to Kylie Minogue Update: I would have been remiss not to link to Nadini.

Secondary sexual characteristics Update: Haklak Rahtak may sound Klingon. It is so not Klingon. Possibly the hottest video I have ever seen. I mean we are talking Song of Solomon with the Bolero as a soundtrack here people. Though I admit that could be the antihistimines so best to look to your own judgement.

Posted by the Flea at 10:31 AM | Comments (4)

The Lord of the Rings

By George Lucas. Just the thing for gritty, surburban nine-year olds.*

*This is a low impact day at Flea Towers. I have belatedly picked up the cold that has been going around and, having stayed home from work, am being evicted from my place of sanctuary by electrical goings on. Such is the price of ongoing access to modern conveniences including the wonders of "the internet". But, while I have the floor, I would like to say that I will never forgive George Lucas for the debacle he made of so-called Episodes I, II and III. Weeping Gorilla says we expect too much of the man: But Weeping Gorilla is wrong. Seriously, "just like we did on NAH-boo". It's Na-BOO for frak's sake. If you cannot be bothered to consistently pronounce your own baby ka-ka do-do made up place names I cannot be bothered to lend your farcical would-be prequels any suspension of my disbelief. The franchise is dead to me now.**

**As is the re-visioned Battlestar Galactica which jumped the shark big time at the end of Season II. So much for television.

Posted by the Flea at 10:27 AM | Comments (5)

October 05, 2006

This Woman's Work

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Thanks to the unimaginable bandwidth of YouTube I am delighted to point to a VHI documentary in seven parts, "This Woman's Work" (Part I, II, III, IV, V, VI, VII). The picture quality is poor and the sound is muddy, perhaps the result of a transfer from someone's 1993 home video. Not that this will matter much to the Kate Bush obsessives.*

"This Woman's Work", the video for the single, is also worth a look. I had never seen it before and, fair warning, it is a real tear-jerker.

*So, have you ever noticed how Kate Bush and George Bush have the same last name? How weird is that?

Posted by the Flea at 06:31 AM | Comments (1)

Pierre Lapointe: Le Colombarium

Now is the time at the Flea when we dance.

Posted by the Flea at 06:27 AM

The girl with error-message eyes

Warren Ellis has been wandering through Transylvania. I would be too were it not for my primitive video card... time to upgrade.

I almost wish someone would conjure a Philip K Dick in Second Life, like the missing android of a year or two back. He’d enjoy the girl with error-message eyes: someone blinking around the evidence of fake reality. Second Life is very much the Philip K Dick experience, some days. He had a comedy notion that everything is fake but you, and the massive team of builders constructing the world around you — that it takes 12 hours or whatever to fly to Japan because the builders have to get there first and construct it for your arrival to keep the illusion going. If you fly fast in Second Life, you eventually reach the point where you’re travelling more swiftly than the system can deal with — and, as you look around, you see that the world hasn’t quite assembled around you yet.
Posted by the Flea at 06:24 AM

October 04, 2006

Fuel to be fabulous

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The appearance of a new low calorie energy drink might go unremarked were it not a portent of yet greater things to come. For is it not written in the sacred scrolls that feathered hair shall once again be "in"? I gather this new concoction has a taste “reminiscent of a liquid Jolly Rancher”; surely an omen to set against a mere Imam, twelfth or otherwise.

No longer the official soft drink of grandma’s bridge club, Tab’s modern incarnation is Tab Energy—a sweet and sour beverage in a sleek, retro-gingham can. The taste is reminiscent of a liquid Jolly Rancher, and mixed with vodka, Cointreau and pineapple juice it becomes the boozy “Stiletto Confession” cocktail. They go down smooth, so keep Tabs on how many you drink!

That's TaB, btw.

Posted by the Flea at 06:34 AM | Comments (7)

Rough Trade: All Touch

Now is the time at the Flea when we dance.

Posted by the Flea at 06:31 AM | Comments (3)

I Pity the Fool

Porchboy has a new favourite show premiering October 11. I am not entirely certain how tuning in to TV Land squares with a mission to motivate procrastinators and rev up slackers. That said, I am delighted to once again discover F. Scott was mistaken about second acts.

Look out Dr. Phil and step aside Tony Robbins! Mr. T is on a mission to change real people's lives. In TV Land's new unscripted Reali-T show, Mr. T gives new meaning to the words "self-help".
Posted by the Flea at 06:27 AM | Comments (4)

October 03, 2006

The Biology of B-Movie Monsters

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Michael C. LaBarbera argues Hollywood's approach to movie-monster design has been hopelessly naïve. Which would bother me as so much pendantry if not for the umlaut.

In The Incredible Shrinking Man (1957), the hero is exposed to radioactive toxic waste and finds himself growing smaller and smaller. He is lost to family and friends while fending off the household cat and must make his own way in a world grown monstrously large. He forages food from crumbs and drinks from puddles of condensation. In one famous scene, he defends himself against a house spider by using an abandoned sewing needle, which he has to struggle to lift.

Stop the projector! Time for a little analysis.

Shame he does not mean psychoanalysis; this would do a bang-up job explaining why giant spiders are frightening despite any hypothetical scaling problems. And, strangely enough, Rachel Welch remains attractive despite the vanishingly remote chance most cinema-goers would have had at attracting her interest.

Posted by the Flea at 06:47 AM

The Mothra Song

Now is the time at the Flea when we dance... and sing along! Warning: Canadian content.

Posted by the Flea at 06:43 AM

Tastes like chicken

The "softer side" of Tyrannosaurus rex is frankly incredible. I had to do a quick April 1 check before reading right the way through this article.

When paleontologists find fossilized dinosaur bones during a dig, they usually do everything in their power to protect them, using tools like toothbrushes to carefully unearth the bones without inflicting any damage. However, when scientists found a massive Tyrannosaurus rex thigh bone in a remote region of Montana a few months ago, they were forced to break the bone in two in order to fit it into the transport helicopter. This act of necessity revealed a startling surprise: soft tissue that had seemingly resisted fossilization still existed inside the bone. This tissue, including blood vessels, bone cells, and perhaps even blood cells, was so well preserved that it was still stretchy and flexible.
Posted by the Flea at 06:41 AM

October 02, 2006

Because I could not stop for death, He kindly stopped for me

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Listen up jock douchebags: We want to help. The Drink Soaked Trotskyites point to Goth Help Us; gothic philanthropy in action. Founder Rebecca Holm explains.

"Do you think it's easy to look gothic? It's non-stop maintenance!" she laughs. "Gothic people spend hours getting ready to go out. Their make-up, hair, and clothing is perfect. A normal person has no ability to pull this look off...only an artist can do it." Hohm continued, "Average people will give you the shirt off their backs to help others when asked, but goths will give you their whole wardrobe, let you move in, and feed you, too." She says the charitable nature of gothics is what originally drew her to the scene in the first place. "Their compassion is unlike any other sect of people I know, and I am proud to be one of them." she concluded.

I confess this summary is only a dim reflection of my personal experience of the sect. At least in so far as my ongoing difficulty in convincing gothic lasses to disrobe is concerned; let alone the prospect of home cooking to follow. Or take away for that matter.

Posted by the Flea at 06:44 AM | Comments (27)

The Birthday Massacre: Lovers End

Now is the time at the Flea when we dance.

Posted by the Flea at 06:43 AM

Liisa has a liisp

"I would bet you - if I had the money - that there's 40 year old goths out there and you don't know it." Ahh, how naive is the immortality of youth. Still it is ten years on and I expect we shall be hearing more in a similar vein in the coming weeks. All Hallow's Eve approaches and that means the annual passing mention of non-massacre related gothic media. Here is the last word on goth subculture in Toronto, mid-90s style. Liisa has a liisp... so hot!1 Loving this comment especially.

why do they "she transforms herself into a goth"?...wtf....these people realize that she doesnt transform to goth...she has to conform to their rigid mediocre culture(meaning her office life)....

So true.

1 Surely not the before of Liisa Ladouceur.

Posted by the Flea at 06:41 AM | Comments (1)